First reflections after seeing Clint Eastwood’s newest—Gran Torino—were quite confused. The immediate reaction was that the film is Eastwood’s will—summation of the things he’s famous of, spiced up with some criticisms.
Initially, his main character seems like a rather good depiction of a ghettoised, white, racist veteran. After a while, though, this picture starts to show some signs of overemphasis—sometimes he’s just too much himself.
Apologetic and obvious to start with, the movie proceeds to its non-surprising end. The critical viewer is also tempted to see white man’s heroism as a form of neo-colonialism. It’s after all him that saves the aborigines—from themselves.
And yes—the winner gets a car.