A rather disturbing remark closed a fine Žižek documentary. Reacting to someone’s question about the ‘funniness’ side of his popularity, he raised his concern of that in many places he is only published/read/heard when he tells jokes when confronting serious social and political issues. In other words–being funny is the prerequisite of having voice!
The importance lies in that elite-disturbing talk is not welcome at all, with the natural exception of ‘eccentric professors’, ‘artists’ and other marginal groups whose very existence legitimates the canon of ‘liberal democracy’. And when they do raise their voice, they are only allowed to do it when they take the time not to confront the status quo directly.
Hence, every time one feels the urge to voice criticism, one should adopt the helpful attitude of actively planting ‘comediality’ to one’s talk; thus avoiding the direct confrontation of the established language-game!
A thought that also rang my Rorty-bell immediately (Contingency, irony, and solidarity: pp. 48)!
Those who speak the old language and have no wish to change, those who regard it as a hallmark of rationality or morality to speak just that language, will regard as altogether irrational the appeal of the new metaphors – the new language game which the radicals, the youth, or the avant-garde are playing. The popularity of the new ways of speaking will be viewed as a matter of “fashion” or “the need to rebel” or “decadence.” The question of why people speak this way will be treated as beneath the level of conversation – a matter to be turned over to psychologists or, if necessary, the police.